Grand Master Tatsuo Shimabuku

Tatsuo Shimabuku was born in Kyan village, Okinawa, on September 19, 1906. He was first born of ten children born into a farming family. By the age of 12, he had a strong desire to study the martial arts. He walked to the nearby town of Agena, to the home of his uncle, Shinko Ganiku, a fortuneteller. Shinkichi primarily learned to be a fortuneteller from his uncle, but also studied the rudiments of the karate that his uncle had learned while in China.

Eizo Shimabukuro (b.1925) is a younger brother of Tatsuo’s who also excelled in martial arts. Eizo studied under his elder brother, Tatsuo, and is said to have also studied under the same masters as Tatsuo, such as Chotoku Kyan, Choki Motobu, Chojun Miyagi, and Shinken Taira. While the older brother went on to create his own new style of karate, Eizo quickly moved up the ranks in Shōrin-ryū (Shōbayashi).

By the time Shimabuku was a teenager, he had obtained the physical level of a person six years his senior. His physical condition was due to his karate training as well as his working on the family farm. He excelled in athletic events on the island. By the time he was 17, he was consistently winning in two of his favorite events, the javelin throw and high jump.

Around the age of 23, because of Shimabuku’s desire to further his knowledge, he began to study Shuri-te, which later became known as Shorin-ryu (Shao-lin Style) under Chotoku Kyan in the village of Kadena. He began his training with Master Kyan in 1932. Master Kyan taught Shimabuku at his home. Kyan also taught at the Okinawa Prefectural Agricultural School. Within a short time, he became one of Master Kyan’s best students and, under Kyan’s instruction, learned the katas: Seisan, Naihanchi, Wansu, Chinto and Kusanku along with the weapons kata Tokumine-no-kun and basic Sai. He also began his study of “Ki” (or “Chinkuchi; (チンクチ)” in Okinawan dialect) for which Kyan was most noted. Shimabuku studied with Kyan until 1936. He always considered Master Kyan his first formal Sensei and was very loyal to him.

Shimabuku had always been fascinated by Naha-te (Goju Ryu) and sought out Master Chojun Miyagi, the founder of Goju Ryu. Miyagi’s teacher was Higaonna Kanryo (also called Higashionna) who brought a derivative of Kenpo (拳法): kin gai is the name of this system. pangai noon is the forerunner of Uechi-ryu) from China to Okinawa. Eventually this became Naha-te. From Miyagi, Tatsuo learned the kata Seiunchin (“Seize-Control-Fight”) and Sanchin (“Three-Fights/Conflicts”).

After his studies with master Miyagi, in 1938, Shimabuku sought out another famous Shorin-Ryu instructor, Master Choki Motobu. Choki Motobu was probably the most colorful of all of Shimabuku’s instructors. Motobu had many teachers for short periods of time, including some notables such as Anko Itosu (Shuri-te) and Kosaku Matsumora (Tomari-te). Motobu was known for getting into street fights often in his youth to promote the effectiveness of karate. Shimabuku studied with Motobu for approximately one year.

Shimabuku opened his first dojo in 1946 after the war in the village of Konbu, near Tengan village.

Coming from a farming family, Master Shimabuku had always been poor, yet he was very innovative and opportunistic. He had a natural talent in adapting things to work for him. As a young man, he discovered a way to bind tile to the roofs of homes in Chun (チャン) Village without using mud, which had been the traditional way. Prior to World War II, he saw an opportunity and started a small business. Purchasing several horses and carts, he received a contract to help in the construction of Japanese airfield in Kadena. He was doing quite well until the Allied invasion of Okinawa began. During one of the bombing raids by Allied forces, his business was destroyed.

Master Shimabuku continued to study and develop his skills in both styles, but he was not satisfied that either style held the completeness he felt a style should have. His interest in ancient weapons (Kobudo) continued to grow and he sought out the most renowned weapons instructors on the island for at the time he only knew bo (staff) kata, Tokumine no Kun and basic sai techniques he learned from Chotoku Kyan. In a short time, he became a master in such weapons as the Bo and Sai. (During the late 1950s and early 1960s, he continued his study of Kobudo with one of Master Moden Yabiku’s top students, Shinken Taira. This training took place in Master Shimabuku’s dojo in Agena.) He learned Hama Higa no Tuifa, Shishi no Kun, Chatan Yara no Sai, and Urashi Bo. Shimabuku created Kyan Chotoku sai and Kusanku sai using sai techniques he learned from Chotoku Kyan. To honor Chotoku Kyan, he named his first sai kata after him.

It was during the late 1940s that Master Shimabuku began experimenting with different basic techniques and Kata from the Shorin-Ryu and Goju-Ryu systems as well as Kobudo. He comes to experimenting with his own ideas. He called the style he was teaching Chan-migwha-te after Chotoku Kyan nickname Chan-migwa (チャンミーグヮー). Master Kyan’s nickname was “Chan-migwa”, meaning “small-eyed-Chan.” “Chan (チャン)” in the Okinawa dialect “Uchinaguchi” is “Kyan (喜屋武).” In Uchinaguchi “mi (ミー)” means “eye.” The suffix “Gwa (グヮー)” or “Guwa (グヮー)” mean’s “small.” So Chan-migwa means “Small eye Chan (Kyan).” Chan migwa-te was the style taught until he renamed his style “Isshin-ryū” on January 15, 1956.

By the early 1950s Master Shimabuku was refining his karate teaching combining what he felt was the best of the Shorin-Ryu and Goju-Ryu styles, the weapons forms he had studied, and incorporating his own techniques. As his experimentation continued, his adaptation of techniques and katas were not widely publicized. He consulted with several of the masters on Okinawa concerning his wish to develop a new style. Because he was highly respected as a karate Master, he received their blessings. (These would later be rescinded due to the many radical changes made in traditional Okinawan karate.)

One night in 1955, Mr. Shimabuku fell asleep and dreamed of a goddess riding a dragon. The goddess was Kannon (観音)the Buddhist Goddess of mercy and compassion.

Three Stars appeared symbolizing the three styles Isshin-ryu derived from, Goju-Ryu, Shorin-Ryu, and Kobudo. The stars can also represent the Physical, Mental, and Spiritual strength needed for Isshin-ryu. The gray evening sky symbolized serenity and implies that karate is to be used only for self-defense.

The next morning when Master Shimabuku awoke, he felt that his dream had been a divine revelation. He met with his top student, Eiko Kaneshi, and told him of his dream and his desire to break away from Okinawan tradition and start a new style of karate. The day was January 15, 1956. Upon announcing his decision to start a new style, many of his Okinawan students left, including his brother Eizo.

The new system was not initially given a name, and in fact, went through 2 name modifications before Isshin-ryū was finally adopted. However, the official start of Isshinryu karate is January 15, 1956. The Isshin-ryū Megami was drawn from Master Shimabuku’s description by Shosu Nakamine, Eiko Kaneshi’s uncle, and was chosen to be the symbol for Isshin-ryū karate.

During his karate career, Master Shimabuku changed to his name “Tatsuo,” meaning “Dragon Man.” Whenever asked about this change, Master Shimabuku would reply that “Tatsuo” was his professional karate name. He also was given the nickname, “Sunsu”, by the mayor of Kyan (Chan) Village. Sunsu was a name of a dance that was created by Shimabuku’s grandfather.

Teaching Years

In 1955, the Third Marine Division of the U.S. Marine Corps was stationed on Okinawa, and the Marine Corps chose Master Shimabuku to provide instruction to Marines on the island. As a result of his instruction, Isshin-ryū was to be spread throughout the United States by Marines and returned home. The karate that the marines brought back to the dojos in the United States was a blending of what Master Shimabuku thought to be the best of the karate systems.

The first of the Marines to bring the Isshin-ryū karate to the United States were Don H. Nagle and Harold Long. Don Nagle opened his dojo outside Camp Lejeune, North Carolina in late 1957, while Harold Long’s first dojo was in his backyard at Twenty-Nine Palms, California in late 1958. Upon their discharge from service, Nagle moved to Jersey City, New Jersey, and opened the first Isshin-ryū dojo in the Northeast. Long returned home to Knoxville, Tennessee, and opened his first dojo at the Marine Reserve Training Center.

Returning later were Harold Mitchum, Edward Brown, Steve Armstrong, Ed Johnson, Walter Van Gilson, Clarence Ewing, George Breed, Jim Advincula, Bill Gardo, and Harry Smith as well as others. [George Breed began teaching Isshin-ryū Karate in Atlanta, Georgia in 1961; and then, in Gainesville, Florida from 1966-1969. He remained independent of the Association.] From this meeting, the Okinawan-American Karate Association was formed with Harold Mitchum as the association’s first president. A year later, the name of the association would be changed to the American-Okinawan Karate Association.

Master Shimabuku made two trips to the United States to visit with his top students. The first trip was in 1964, and the second in 1966. During his 1966 trip, he visited Steve Armstrong in Tacoma, Washington, Harold Long in Knoxville, Tennessee, and Don Nagle in New Jersey. All 3 men were promoted to the rank of Hachi-Dan (Eighth Degree). Each of these men became a driving force in the promotion and spread of Isshin-ryū karate in the United States. Master Shimabuku was noted to not enjoy travelling far from home, and further visits representing him were conducted by his students, mainly Uezu Angi, who was also his son-in-law.

Another important event took place during this trip. While visiting the dojo of Master Steve Armstrong, Master Shimabuku was filmed performing all 14 Isshinryu katas as well as some basic exercise and self defense techniques. Copies of this film were circulated among the top instructors. It is believed that Master Shimabuku did not want to be filmed and the recording do not reflect a true expression of the various kata. Master Shimabuku continued teaching at his dojo in Agena until his retirement in early 1972. He passed his legacy over to his number one son, Kichiro Shimabuku. There was much controversy over this decision as Master Shimabuku had originally intended to pass the system onto his number one Okinawan student, Kaneshi Eiko. When Kichiro learned of this decision, he was outraged and demanded that his father keep with Okinawan tradition and pass the system over to him. Master Shimabuku relented and granted his wish, but their relationship never recovered.